“Well, it’s rather brutal here. We’re advising all of our clients to invest all their resources into tinned provisions and hunting rifles.” This nugget of shrewd guidance comes from the Brain Gremlin – a scientifically altered, talking, glasses-wearing member of the oozy monster mob that swarms Manhattan’s ultra-modern Clamp Tower skyscraper in director Joe Dante’s zany follow-up Gremlins 2: The New Batch. Superficially, it’s nothing more than an investment tip from one monster to another. Yet, in a strange manner, it’s also remarkably sound existential counsel. Truly, listen to my reasoning.
When life takes a turn for the worse, the biggest mistake you can do is take things too seriously. The Brain Gremlin understands this. Indeed, most of the dentally-gifted beasts that inhabit Dante’s unrestrained 1990 movie (debateably his greatest) possess the same sly, self-aware sense of humour regarding the indistinct border separating the mundane and absolute bedlam. It’s a single component of Gremlins 2: The New Batch that keeps me coming back – and the older I get, it’s the theme that echoes the loudest.
Understandably, my fondness for this movie wasn’t born on such an introspective level. As a child, we were limited to a few battered VHS tapes at home. Among them were Gremlins and its second chapter, the latter housed in a thick former-rental sleeve likely purchased from an independent video outlet and featuring grimacing beasts on its worn-out artwork. I was immediately enamoured and these films did not delay lodging themselves inside my small, malleable brain. From then on, they became an practically routine part of my early years entertainment regimen.
Dante’s first film commonly garners all the plaudits, thanks mostly because of its status as a semi-scary seasonal fave – and let me be clear, I’ve watched Gremlins on countless occasions. That said, its sequel infrequently obtains the same level of elevated esteem, which feels a travesty. As a kid, I’d invariably jump at the prospect to watch Gremlins 2. During sunny school summer breaks, I’d seclude myself indoors and stick it on. When I obtained my very own TV-VHS combo unit, it stayed in constant rotation in my bedroom. Over time, it etched itself permanently in my psyche. If my parents observed this fixation, they didn’t seem to mind.
As I got older, new insights rewarded frequent screenings, amplifying the pleasure of watching diminutive verdant beasts happily vandalize a New York high-rise. I learned the forward-thinking real estate tycoon and Clamp Tower owner, Daniel Clamp (John Glover), was modeled closely on future president Donald Trump, with his red-headed employee Marla (Haviland Morris) echoing his one-time partner Marla Maples. Fortunately, Clamp demonstrates more humanity than his actual-world equivalent.
The “doomsday” video Clamp plays during maximum monster mayhem? I discovered it was based on a genuine “Doomsday” video produced by the CNN boss Ted Turner as a contingency for the world really ended. I noticed how Dante went out of his way to film varying versions of a self-referential segment where Gremlins take over the exact movie you are viewing. One for cinemas, another for home video and television, each offering a winking bit of self-referential entertainment sorcery before the term was even a thing.
While it was creature designer Rick Baker’s wonderfully grotesque creatures that drew my gaze as a child, this deeper gold kept me hooked as an adult. Eventually, I even conversed with Dante about it myself and he had no reservations informing me he made the movie with the express purpose of ridiculing those who loved its absurd-yet-genuine predecessor and desired a sequel. “We were going to make fun of the fact you came to see it,” he happily revealed. This anarchic defiance and determination to not take his sequel as solemnly as his Warner Bros bosses obviously desired, only increased my affection for it.
When I endured a abrupt familial death not long ago, I was taken aback to discover that, during my deepest grief, all I felt compelled to do was sit and watch Gremlins 2: The New Batch. Strange, isn’t it? Perhaps not. The soothing reminiscence it provided was necessary to weaken my mind’s sadness sludge – but the insights it had imparted to me as an adult were similarly beneficial.
Like Gremlins tearing apart a genetics laboratory, there’s particular aspects in life you just cannot manage. Dante understands this. The Brain Gremlin agrees completely. Sometimes, you have to follow their example: welcome the pandemonium, put everything you’ve got into canned food and shotguns and try not to view the world with undue solemnity.
It’s strong life advice from a most improbable origin – and it’s the reason Gremlins 2: The New Batch will eternally stand as my go-to cinematic solace.
A seasoned gaming analyst with over a decade of experience in reviewing online casinos and slot machines, passionate about fair play.